A Journey Through Islamic Aesthetics and Spiritual Gratitude
Dipo Kehinde/
The rhythmic elegance of Arabic calligraphy, the textured depth of mixed media, and the warmth of wood carving converge in Ridwan ADK-Osinowo’s latest art exhibition, Alhamdulillah Goma-Goma: The Art of Appreciation.
This exclusive three-day showcase, set in the Art Pavilion, Abuja, from February 11–13, 2025, invites art lovers and spiritual seekers alike into a world where artistic mastery meets divine gratitude.
For over two decades, Osinowo has been a vanguard of Islamic art in Nigeria, pioneering an aesthetic that blends sacred geometry, Arabic calligraphy, and contemporary materials. His works—spanning oil, acrylics, foil relief, fiberglass, and even aluminum composite panels—are not just visual delights but spiritual meditations. His latest exhibition is no exception, as it seeks to remind viewers of the beauty of gratitude, an essence often overlooked in daily life.
The Art of Appreciation: Beyond Brushstrokes
The exhibition’s title, Alhamdulillah Goma-Goma, is a phrase deeply rooted in Islamic devotion and Hausa culture. “Alhamdulillah” translates to “All praise be to Allah,” while “Goma” in Hausa signifies “ten”—a reference to the practice of repeating Alhamdulillah ten times after each obligatory prayer. Through this thematic anchor, Osinowo transforms the concept of gratitude into a visual and immersive experience.
His paintings and mixed-media installations do more than depict faith—they embody it. Expect to see Arabic calligraphy rendered in unconventional textures, from mirror gold ACP to sublimation plates, bringing a modern twist to traditional Islamic motifs. His compositions are not just beautiful—they are conversations with the divine, urging viewers to reflect on the countless blessings often taken for granted.
An Exclusive Invitation to a Spiritual Dialogue
The opening ceremony, a strictly by-invitation affair, promises to be a gathering of intellectuals, artists, and admirers of Islamic art. However, from the second day onward, the exhibition welcomes the general public, including students, from 9 AM to 6 PM daily. This ensures that a wider audience gets to engage with the artworks, experiencing firsthand the power of visual storytelling in Islamic art.
Why This Exhibition Matters
Osinowo’s work extends beyond gallery walls—it has graced mosques, private collections, and cultural institutions across Nigeria and beyond. His expertise in mosque beautification projects, calligraphic murals, and Islamic-themed public commissions makes him a pivotal figure in Nigeria’s artistic landscape. This exhibition is a testament to his lifelong commitment to using art as a bridge between aesthetics and spirituality.
At a time when the world is in constant flux, Alhamdulillah Goma-Goma serves as a powerful reminder that gratitude is not just a virtue but an art—one that can be seen, felt, and, most importantly, practiced.
For those in Abuja or those willing to make the journey, this exhibition is more than an art show; it is an invitation to pause, reflect, and, in the spirit of its theme, give thanks.
Alhamdulillah for art. Alhamdulillah for beauty. Alhamdulillah Goma-Goma.